Single photograph category: Francesco Cabras

Title: Curl Power
Open air hairstylist, Congo


Photographic Project category: Vania Broccoli

Title: Hic Sunt Leones

Here are lions’ is the Latin phrase used to indicate in ancient maps unknown and unexplored locations, where wild, mythological beasts were supposed to live, and where venturing was highly discouraged. Today Google Maps have made everything easier and the inscription “Istituto Palazzolo per Istituti Pii” has replaced those topographic warnings. This is a nursing home for disabled people in Rosà, Vicenza, which is run with dedication by both the ‘Suore delle Poverelle’ Congregation of Sisters and by highly specialised lay staff. For more than 90 years the nursing home has accommodated primarily women with serious physical and mental handicaps, but also orphaned girls and old nuns. I came across this place 3 years ago, in the course of the annual Open Day event, which is aimed to make the outer world discover this reality. I felt instantly the urgent need to learn more about that meeting, and to describe it through photography. At the same time I understood that an “empathic” record would not be possible if I were perceived as an invisible eye or, even worse, an alien eye. I then decided, after explaining my project to the institute coordinator, to approach the patients and the educators without my camera, spending four months with them and getting to know each other. Later I started a photographic reportage depicting the daily life of the girls who are guests of the institute, a life of afternoons spent watching TV, or in artistic workshops, motor activities and small trips. I’ve been shooting this way for one year and a half. Then I got lost. During that time, some of the girls I had taken pictures of had died , and I realised that my photos would only witness their presence inside the institute, not their essence. So I understood that I wished to express the inner world each one of them lived in. I got rid of everything and I started again with a fresh mind and a changed attitude, talking with the patients – those who actually could – and their educators, trying to learn more about the girls’ wishes, dreams and obsessions. In the light of this information I visualized some scenes which might interpret their innermost dimensions with a single image. However, the most important aspect was that the resulting pictures were not simply mise-en-scènes where I could shape dependents following my personal view, but that the girls were active protagonists of the photographic experience. So, for each setting, I started to seek objects highly symbolic for the girls, and some of them even helped to tailor the settings. This work has generated colour and coloured images, in which the persons often smile, proudly offering the camera lens relics of magic worlds very few are provided access to. This view might seem disrespectful of an environment we are used to see through the black and white filter of grief, anguish and despair. Yet, at least here, if I too had retained this approach, I would have disrespected all the people who are daily dedicated to helping disabled persons to live a decent and happy life within the limits set by unfathomable trauma and diseases, not just to survive until the next day. Finally, I would disrespect the very people who, first-hand experiencing the effects of such disabilities, have taught me for these three years how to accept pain as a step, and to catch the joy even in the deepest secrets of the soul.

Finalists of the first edition of the TAG PRIZE

Single Photography Category ►
Photographic Project Category ►

© Cristiano Guida

Finalists of the Single photograph category

Name Surname – Title

  • Francesco Cabras – Curl Power
  • Francesco Cabras – Andrea Parodi
  • Daniele Coricciati – Salento
  • Sandra Paul – Passion
  • Francesca Pili – #ABRUXAUS
  • Re Barbus – Emesi

Finalists of the Photographic Project category

Name Surname – Title

  • Gaia Adducchio – Naked:#she
  • Emanuele Artenio – Andreino
  • Vania Broccoli – Hic Sunt Leones
  • Giuseppe Cardoni – Boxing Notes
  • Enzo Crispino – Il rumore del silenzio…
  • Davide Esposito – Capri, sogno di un’ombra
  • Jessica Guidi – Obama, the queen
  • Luca Iovino – Haunts
  • Leonardo Magrelli – Pairidaeza
  • Natalia Mansano – If Trump were a woman my body is political
  • Marco Marassi – Italia Scapes
  • Ymy Nigris – Les terres affamées
  • Marco Pasqua – sguardi & traguardi
  • Martino Pirella – Senza veli
  • Gian Marco Sanna – Malagrotta – The city of snow
  • Manuel Succi – “El Último Hielero”


A collective exhibition of all finalists will take place at TAG – Tevere Art Gallery in Rome on June 16, 2018. The winners will be announced during the event.


Two overall winners, one per category.


Winners will have the opportunity to exhibit their photos at the Arles festival, during the inauguration of the Rencontres 2018 week. Printing, transport of the photos and exhibition set-up expenses will be covered by TAG – Tevere Art Gallery.


Each one of the two winners will have 5 FINE ART photos (50×75/60×60 cm) printed by Luciano Corvaglia’s lab on baryta paper.


The images submitted will be judged by a prestigious international jury.


Professional printer, photographer, founder of TAG – Tevere Art Gallery in Rome.


Photo Editor, professional journalist, art historian by background.
Co-founder of Photo Op, conception, promotion, organisation and curating of photographic exhibitions.


Curator, collector, art writer, artists’ agent, gallerist.
Lives between Amsterdam and Paris.


Founder and director of Voies-off di Arles.
Professional printer.


Photographer, curator and co-founder of MaMo Gallery in Arles.


Founder of the agency and gallery Grazia Neri in Milan.
She currently dedicates herself to teaching and the setting up of exhibitions.